Hi Gerry (and the rest of you folks, too!):
I have been taking a few minutes here and there to write up a synopsis of
the events at the 7th Annual Potomac River Convention, which met this past
weekend in Lorton, VA and Washington, DC. I m afraid that I didn't take
the time to take notes during the convention itself, and I didn't attend
every event, so you'll have to wait on the reports of others to fill in
the gaps.
The convention started on Friday evening with singers gathering at the
Pohick Church common room on Route 1 in Lorton. My friend Eric and I
arrived about half an hour early to find a small and growing crowd waiting
outside the building, as the person with the key had not arrived yet.
Within a few minutes the building was open and we were setting up the room
while taking frequent breaks to greet newly arrived friends. Shortly
after 7:30 Peter Pate called the class to order by leading a lessons, then
Peter asked George Seiler to offer an opening prayer. After leading a few
more lessons, Peter turned the class over to Warren Steel for the evening
singing school.
Warren opened his lecture with a review of the major and minor scales, and
practice in moving from note to note and sounding the syllable for the
note. He also talked about the difference between the minor keys as
notated and as sung by many traditional singers. He also mentioned in
passing some other common features of the singing of many traditional
singers.
Warren then talked at length about the origins of the time signatures that
are used for tunes in The Sacred Harp and their
relationships to the speeds at which the composers probably intended the tunes to be sung. He
led several tunes as examples.
Warren closed his lecture with a discussion of the origin of the
shape-names and of the use of the shapes, starting with the
ut-re-mi-fa-sol-la gamut originally created in the middle ages. (I have
forgotten the name of the creator, but Warren and several other people on
this list, including several who were present at the convention, can
provide additional details for the curious.)
Peter Pate then led the class in a closing lesson, followed by a closing
prayer, and we all went home for the evening.
The next morning we gathered again at the Pohick Church, and at about 10am
Peter Pate called the class to order by leading a lesson, then asked the
Pohick Church s rector to speak the opening prayer. Peter then led
another lesson, then he called two or three others to lead in turn before
he moved that we enter a business session. The first order of business was
to elect a chairperson for the rest of the convention; Miriam Kilmer was
nominated and elected by acclamation, and Peter turned the meeting over to
Miriam. Following elections for vice-chair, secretary and treasurer, the
business session was closed, and Miriam turned the class over to the
arranging committee, composed of Bob Hall and several assistants. We sang
with occasional recesses until noon, when we recessed for dinner. Local
singer provided more than enough wonderful food, which had been
efficiently set up by Karen Foley with the help of several assistants.
The class was recalled for the afternoon shortly after 1pm, and we sang
with occasional recesses until about 3:30pm, when I left to return to my
mother s home in DC for the evening.
I missed the other events of the day; an alternative singing session
which met in the Pohick Church common room from 4pm until 5pm, followed by
an evening social at the home of Mimi Stevens. I was told the next day
that the class for the alternative singing session sang a number of new
tunes under the leadership of their composers as well as a number of tunes
from tunebooks other than the _Sacred Harp_. A new tune by Roland
Hutchinson was apparently very well received; I obtained a copy of it the
following day, but I have not yet had a chance to hear it.
On Sunday morning we met at Hearst Hall on the grounds of the National
Cathedral in Washington, DC, where Miriam called the class to order at
about 9:30 by leading a lesson and asking for the opening prayer. She
then turned the class ver to the Arranging Committee, and we sang with
occasional recesses until 11:45, when the Arranging Committee turned the
class over to Miriam, who introduced the Memorial Committee and turned the
class over to them for the Memorial Lesson. Peter Pate gave a few words,
then read the names of the sick and shut-in, including Jerilyn Shumacher
of Chicago who had traveled to Washington, DC to attend the convention and
had then fallen ill and was unable to attend the singing sessions. He
then asked Ginnie Ely to lead a lesson for them. Peter then gave a few
more words, and read the list of the deceased, and asked Clare Chapin to
lead a lesson for them. He then gave a few closing words, then offered a
prayer in memory of the absent and the dead, and turned the class over to
Miriam, who then turned the class over to the Arranging Committee. After
a couple more leaders, we recessed for dinner, which was again provided by
local singers and set up by Karen Foley with the help of many assistants.
Miriam reconvened the class at about 1pm, and we sang with occasional
recesses until about 2:40pm, when the Arranging Committee turned the class
over to Miriam, who then called for announcements. (In addition to several
annual singings, a sister of the late Joe Beasley of New York City and
Winfield, Alabama announced that the Joe Beasley Memorial Singing will
meet in Winfield in early December.) Miriam then lead the class in a
closing lesson, and asked for a closing prayer before dismissing the class
to return home.
The convention was blessed on both days of the convention with the
presence of a number of children who led, some by themselves and some with
the assistance of loving parents. I particularly enjoyed watching Anayis
Mampre Wright standing on a chair in the middle of the square leading "The
Young Convert" with the assistance of her mother Susan Mampre while her
father Glen Wright held a copy of the tune book for them. Other young
people who led included the both of the children of John delRe and Kelly
Macklin as well as the son of Bob Hall and Ella Wilcox.
We were also blessed by the presence of singers from many parts of the
country, including several members of the Beasley family from Florida,
Alabama, Georgia and Tennessee. The DC area singers who coordinated the
event did a wonderful job as usual, and they announced that next year's
Potomac River Convention will meet on the first Sunday in April and the
Friday evening and Saturday before, according to their usual formula.
I have to get back to work now...
Bill Holt
Watertown, MA
Many thanks to Bill Holt for permission to publish this glowing and detailed report of
the Seventh Annual Potomac River Sacred Harp Singing Convention.
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